In Coralie Fargeat's new feminist horror movie The Substance, damaging social elegance specifications are the actual monsters. They (female objectification, the fingertip of "the outdated," the spreading of a sector built on body customization) nourish a monster of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://beyondthewoods.elbloglibre.com/29940341/margaret-qualley-the-substance